Catalog (391)

Extremely Rare George III Tea Caddy in the shape of an urn-form knife box, in partridge wood with satnwood stringing, octagonal with pagoda shaped lid and acorn-form finial, urn-form body and turned socle with square plinth base having inlaid banding (lock replaced). Circa 1790. Provenance: The Terence J. Fox Collection of Tea Equipage, Formerly the Collection of Iroquois Brands, Ltd.. Height, 10.”

Fine Antique French Inkwell or Standish in Ormolu; having a hinged lid and circular stepped body with applied cast floral decoration, and raised on three toupie feet. Circa 1850.

Diameter; 4.25" Height: 3.25" SAFA/9533

French, 19th century, Samson. The crossed “S” marks on the interior lid of this nineteenth-century snuff box indicates that this was, in fact, a product of the Samson factory. Edmé Samson founded the House of Samson in 1845 to decorate porcelain. However, it was Edmé’s son, Emile, who expanded the firm to include the reproduction of eighteenth-century English enamels. In addition, the later attribution is confirmed by the milled metal banding, the lug on the hinge, and the inferior qu...

Antique Tunbridge Ware Trinket Box in Rosewood having a hinged lid inlaid with a floral spray taken from Berlin woolwork patterns, framed by bandings of tessellated mosaic marquetry. Circa 1840.

6.5" x 4" x 2" tall

Eavesdropping

Oil on panel, signed and dated: “1865.”

Painting size: 9” x 6.75”
Frame size: 14.5” x 12.5”

Petrus Theodorus Van Wyngaerdt (also spelled Wyngaerdt or Wijngaerdt) was born in Rotterdam. A student of J.H. Van de Laar, he painted genre scenes and portraits, as did his older brother, painter Anthonie Jacobus Van Wyngaerdt.

In "Eavesdropping", Van Wyngaerdt depicts a well-known theme from popular 19th-century French and Dutch prints-- ...

Lucien Whiting Powell (American 1846-1930)

Bayou Oil-on-canvas, signed lower left

Provenance: Senator John B. Henderson (1826-1913)

Painting: 23” x 37”
Frame: 27” x 41”

Born 1846 in Upperville, Lucien Whiting Powell served with the Virginia cavalry during the Civil War. After attending the Pennsylvania Academy of Fine Arts, Powell moved on to the London School of Art by 1875 where he was strongly influenced by the atmospheric painting style and ...

Rare Rockingham hound handled pitcher with molded scenes of stag and boar hunts and a grapevine design decorating the neck. Attributed to the Salamander Works, Woodbridge, New Jersey, 1840-50.

Provenance: Eveleth/Summerford Estate, Washington, D.C.

Height:11.25”

See Chipstone Publication, Figure 19

https://chipstone.org/images.php/76/Ceramics-in-America-2003/Highlights-in-the-Development-of-the-Rockingham-and-Yellow-Ware-Industry-in-the-United-States---A-Brie...

Charles Baxter (English 1809-1879)(p) The Letter(p) Oil-on-canvas, signed lower right(p) Painting: 24” x 20”(p) Frame: 36” x 32”(p) Baxter was born in London the son of a bookclasp maker and started his career apprenticed to a bookbinder. He soon gave that up in favor of life as a professional portrait and miniature artist. In 1834 he began studying with portrait artist George Clint and later that year exhibited at the Royal Academy for the first time. (p...

Rare Signed American Tea Caddy in mahogany, of rectangular form with a sloped lid opening to a divided interior and retaining a paper label with makers name and a date of 1863.

8.5" x 4.5" x 5.75" tall

Adrian Wiszniewski (Scottish b. 1958)

Byron and Annabella

Oil on canvas, titled on front and signed on reverse

Painting: 10" x 12"
Frame 17" x 19"

Adrian Wiszniewski was born in Glasgow in 1958. He was educated at the Mackintosh School of Architecture and then the Glasgow School of Art from 1979 to 1983. He was influenced by New Image painting in the early 1980s, combining figurative art with social commentary. And he belonged to a group known as the New Glasgow ...

Benson Bond Moore (American,1882-1974)

Autumn in the Blue Ridge Mountains (near Emmittsburg, PA[sic]) 1955

Oil on board, signed lower left and dated “1955”. Titled on the reverse

Painting Size: 15.5” x 19.5”
Frame Size: 23.5” x 27.5”

** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied...

Caroline van Hook Bean (American, 1879-1980)

View of the White House

Oil on canvas board, signed lower right and dated "(19)70"

Provenance: From the Estate of James Zwolenik, Washington, D.C.

Painting Size: 12" x 16"
Frame Size: 15.5"� x 19.5"�

Caroline van Hook Bean was born into a well-to-do family in Washington, DC. Her father, Tarleton H. Bean was a noted ichthyologist at the Smithsonian Museum. At the age of 14 she was sent to Paris for a year to...

Benson Bond Moore (American 1882-1974)

"On the Potomac from Haines Point, Washington, D.C."

Oil on board, signed l.r. , and titled on the reverse.

Provenance: The Collection of Richard Brodnax Maclin
The Estate of a Toms River Collector

Painting: 14" x 18"
Frame: 23.5" x 27.5"

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also wi...

Pair of antique painted porcelain plaques of flowers, probably European, late 19th century, with gilt frames.

Plaque: 8 x 6”
Frame: 10 x 8.25”

Theodore Hermann William Koppen (German, 1828-1903)

California Condors, Morro Bay

Oil on canvas, signed and dated: “1893”.

Painting size: 21.5” x 29.5”
Frame size: 30.25” x 38.75”

Koppen was born in Brake, Germany and died in Nymphenbourg. He was known for his paintings of marine and historical scenes, as well as portraits.

He is listed in Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Bénézit.

Clark Summers Marshall (American, 1862-1944)

Autumn Colors

Oil on canvas, signed.

Painting Size: 22” x 18”
Frame Size: 29 ” x 25”

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artists” button on our Homepage.

A native of Talbot County on Maryland's Eastern Shore, Marshall became a highly regarded landscapist, painting mainly in the impressionist manner. His artistic edu...

Attributed to South Staffordshire, England, Possibly Bilston, late 18th century. The “gingham finish” was principally produced in this area. By placing a piece of cambric over solid ground color and then applying white enamel this finish was achieved. The three dimensional decoration was also found in the area. It was normally created by applying several layers of enamel. In addition, the unusual heart shape has been found in other Bilston boxes.

Chips to lid and side, loss to gildi...

John Syer, (British, 1815-1885)

Two Views of the West of England

A pair of oils on canvas, retaining Frost and Reed Gallery labels.

Sight Size: 10.25" x 13"
Canvas Size: 12" x 14 1/2"
Frame Size: 17.5" x 20"

Born at Atherstone, Warwickshire, England on May 17th, 1815, Syer studied with J. Fisher, a miniaturist, and settled in Bristol. Syer was one of the prime favorites of the Victorian era. He painted ...