Catalog: Antiques: Decorative Art (49)

18th-century English Transferware Patch Box; Now known as Royal Leamington Spa, the town of Leamington began its prodigious spa industry in 1784 when it began building baths around its salt springs. Consequently, the image on this patch box displays a Classical figure holding a caduceus, a symbol of the medical community dating back the sixteenth century. Thus, it is safe to say that this could have been produced no earlier than the last quarter of the eighteenth century...

Unusual Rookwood matt-glazes tazza, with impressed mark and date - 1906 (?).

Height: 2.35”
Diameter: 4.5”

Humorous Staffordshire Pottery "Admiral Nelson" Pitcher moulded in the form of Lord Nelson (but missing the wrong arm) with a rather strategically placed spout, and a Rockingham mottled brown glaze. Probably English, circa 1850.

8" x 4" x 9.5" tall

Antique Carved Ivory Riding Crop in the form of a horse’s head and a sterling silver collar with the face of a fox. American, circa 1870.

Handle: 3.25”

Length: 27.5”

Model of a Royal Carriage, realistically detailed with an ebonized carved wood and gilt decorated coach with one working door. Resting on a working metal suspension undercarriage and wheels, one removable trunk.

Late 19th/Early 20 C

H 13 in. x W 41 in. over all, coach 28 in. x D 9 in.

Antique Handmade American Ship Model in a wood and glass case.
Circa 1900.

Length: 19”
Height: 14”
Depth: 7”

Antique American Sailors Cane Handle with ivory handle, hallmarked gold collar and shark’s vertebra shaft. Circa 1860, now mounted on a wood base.

Overall height: 12"

Rare Rockingham hound handled pitcher with molded scenes of stag and boar hunts and a grapevine design decorating the neck. Attributed to the Salamander Works, Woodbridge, New Jersey, 1840-50.

Provenance: Eveleth/Summerford Estate, Washington, D.C.

Height:11.25”

Fine Antique Grand Tour Souvenir Column, having a square marble base and turned marble shaft with laurel leaf decorated gilt metal base and a Corinthian capital. Circa 1830-50.

Height 14.25"
Base 4.5" x 4.5"
(once mounted as a whale oil-lamp, then electrified)

Rare Blue Willow Creamer and Cover in the shape of a cow standing on a grassy knoll with stenciled blue willow decoration.

English, circa 1840.

English, Bilston, late 18th century, patch box,

These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, the decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This one reads "The Absent Not Forgotten."

Source:
Susan Benjamin...

Antique English Pearlware Tea Caddy with blue and white chinoiserie decoration. Circa 1780-1800.

Antique English Polychrome Porcelain Tea Caddy with ribbed body and decoration with floral motif. Circa 1790. Provenance: From the Estate of Baroness Rengers, Alexandria, VA.

Antique Spode Pottery Transfer Decorated Ceramic Wine Cooler,* oval with applied handles, ribbed body and rope turned rim, the whole with yellow and blue transfer decoration. English, circa 1810. (two tiny chips, numerous frits)

*Originally designed as a footbath, these large basins are today used as wine coolers.

18.5" x 12" x 8" tall

Antique American Tea caddy in maple with pewter stringing and a pewter plaque with the word "tea", inside are two lidded compartments. Circa 1870.

Height: 3.75"
Length: 7.5"
Depth: 4.5"

Exceptional Burled Walnut cave-à-liqueur having hinged top and front panel opening to an interior with removable tray fitted with gilt decanters and glasses. French, late 19th century.

Height: 10.5”
Width: 13”
Depth: 9.75”

English, most likely Bilston, eighteenth century. The elongated oval shape, all over floral decoration, and the unusual brown painted panels are not infrequent characteristics of Bilston’s “gingham finish” enamel boxes, hence the Bilston attribution.

Fine cracks to enamel, and small losses on both sides and back.

Source:

Susan Benjamin. English Enamel Boxes. (1976.)

Cartouche-shaped black marble plaque inset with oval micromosaic panels depicting Roman archaeological scenes (clockwise from upper left): the Coliseum, the Temple of Hercules, the Roman Forum and the Pantheon. Those four panels surround the Doves of Pliny, an image often used in micromosaics, which comes from a Roman floor mosaic at Hadrian’s villa in Tivoli and is believed to be a copy of a lost ancient Greek mosaic at Pergamon described by Pliny the elder...