Catalog (370)

Antique English Silver Tea Caddy and Sugar Bowl in Shagreen Case by Samuel Taylor, London, 1758-59. The covered sugar bowl and tea canister were crafted by the prominent tea canister specialist and renowned Georgian silversmith Samuel Taylor. The box fittings are by another silversmith, probably J. Wakelin (one hinge stamped IW). The caddy and sugarbowl are pyriform, the sides and covers repousse and chased with flowers and scrolls, each on a cast circular foot similarly decorated and with f...

Maurice Braun (American, 1877-1941)

Old River Landings

Oil on canvas, signed lower right and titled on stretcher.

Painting Size: 20” x 22”
Frame Size: 26” x 28”

Maurice Braun is one of the most well-known artists of California Impressionism. His deeply rooted beliefs in the unity of man and nature combined with the beauty of America’s southwest landscape gave rise to paintings that made him one of the most lauded artists of his day.

Bor...

Harriette F A Sutcliffe (British, fl.1881 - 1922)

Beauty and the Beast

Oil on canvas, signed with monogram and titled on the reverse

Exhibited: The Royal Academy, 1899

Miss Suitcliff was a Hampstead painter of genre and portraits who exhibited at the royal academy from 1881-1899 and elsewhere.

Source:

Christopher Wood, The Dictionary of Victorian Painters

Painting Size: 16" x 20" Frame Size: 24" x 28"

Alexandria, VA had a thriving salt-glazed stoneware industry throughout most of the 19th Century. Many pieces are marked with the makers name and "ALEXa" or "DC/ALEXa". Some common makers were John Swann, B.C. Milburne, H.C. Smith and E.J.Miller (a retailer). We are always interested in purchasing examples of Alexandria stoneware. If you have something you would like to sell, please send us a photo including the makers mark, size, condition and the price (we do not make offers).

American School, Early 19th Century

Carib Indians Around a Jungle Campfire, with a Piton in the Background

Oil on canvas, signed indistinctly on the stretcher. Mid 19th century carved wood, compo and gilt frame

Painting Size: 9.25” x 12”
Frame Size: 13.5” x 16.5”

Antique Brass 6-draw Spyglass, with ring turned body and sunshade and eyepiece slide. Provenance: The Harry Z. Isaacs Collection from Historic Long Branch Estate, Virginia. Probably English, circa 1870.

Length Open: 5.25"
Length Closed: 17.25"

Long Branch was built on property surveyed by a young George Washington for Lord Fairfax. In 1788, Robert Carter Burwell inherited the land and began building in 1811 with the consultation of U.S. Capitol Architect Benjamin Henry L...

Impressive large-scale Black Forest carved armchair in walnut with all over carved decoration of bark, branches, leaves and berries. Swiss. Circa 1870-1880. * Provenance: Anniee McCarthy, Newport, RI and NYC (label). Minor loss to tips of leaves on crestrail, caned seat was once over upholstered.

*See “History of Black Forest Furniture”

Height: 39.5”
Width: 25”
Depth: 24”

Henry Perlee Parker (1795-1873)

“On the qui vive” (The Smuggler)

Oil on canvas , titled, signed and dated on the reverse

"QUI VIVE" (A French phrase meaning long live who? (a sentry’s challenge), used to mean a state of alertness or watchfulness.)

Painting: 30" x 25"
Frame: 36.5" x 31.5"

One of the best-known painters working in north-east England during the early nineteenth century Henry Perlee Parker specialized in pictures of marine subjects and smu...

Brass-Mounted Gonçalo Alves Collectors Cabinet

Workshop of George Bullock, circa 1815.

Having a moulded cornice above a central recessed section with shelves flanked to each side by rows of small drawers behind scrolling grille-inset doors with columnar uprights; the conforming base with four paneled doors, two with columnar uprights and raised on a platform base.

The inverted breakfront cabinet design in the French/Grecian manner was introduced by George Bullock in the early ...

Extremely Rare George III Tea Caddy in the shape of an urn-form knife box, in partridge wood with satnwood stringing, octagonal with pagoda shaped lid and acorn-form finial, urn-form body and turned socle with square plinth base having inlaid banding (lock replaced). Circa 1790. Provenance: The Terence J. Fox Collection of Tea Equipage, Formerly the Collection of Iroquois Brands, Ltd.. Height, 10.”