Catalog (313)

Exceptional Pair of Italian Bronze and Ormolu Candlesticks with nicely detailed foliate decoration and with good patina and fine castings. Having a removable ormolu drip pan above a bronze candle cup and supported by a turned and foliate decorated column with a tripartite scrolling ormolu base and mounted on a tripartite bronze plinth. These would have been brought home as a souvenir by someone who had made the Grand Tour. Italy, circa 1870. 5" x 5" x 13"tall

Herbert Johnson Harvey (British, 1884-1928)

Confidences

Oil on panel, signed upper right and titled on frame. Provenance: Cotman Gallery, Birmingham.

Painting Size: 10.5” x 8.5”
Frame Size: 17.5” x 15.5”

Born the son of artist John Rabone Harvey, Herbert Johnson Harvey was a London based painter and etcher known for his portraits. He exhibited at the Royal Academy and the provinces.

Source:
Waters. Dictionary of British Artists Working 1...

English School, early 19th century

Portrait of a Woman in Lace Cap

Oil on panel.

Provenance: J. Davey & Sons, Manchester, England

Painting size: 8.5” x 7”
Frame size: 11.5” x 10”

Rare English Filigree Tea Caddy, rectangular with cut corners with mahogany bandings having satinwood and ebony stringing around glass panels enclosing rolled paper and crushed stone floral form decoration. The front panel has a silk and watercolor roundel of a girl with a basket. The hinged lid opens to a divided interior with penwork decorated lids. Circa 1790.

Also known as “quill work” or “rolled or scrolled paper” tea caddies, these undecorated boxes would have been purchas...

Jose Rico y Cejudo (Spanish, 1864-1939)

Classical Figure with a Lyre

Oil on Panel, signed and retaining a paper label on the reverse

Painting: 14.5" x 8.5"
Frame: 20.5" x 15"

Jose Rico y Cejudo was born n Seville, Spain on March 27, 1864. He was the student of M. Ussel and J. Garcia Ramos at the School of Fine Arts in Seville. Eduardo Cano also played a role in the education of Cejudo as Cejudo would often pay visits to the artist'a studio. In 1888 he received a...

Benson Bond Moore (American 1882-1974)

Old Willow in Winter, Anacostia

Oil-on-artist board, signed lower right and titled on reverse

Painting: 11” 14”
Frame: 17” x 20”

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation fro...

English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day.

Allover cracking. Small losses to the lid, one side and the bottom.

Susan B...

18th-century English Transferware Patch Box; Now known as Royal Leamington Spa, the town of Leamington began its prodigious spa industry in 1784 when it began building baths around its salt springs. Consequently, the image on this patch box displays a Classical figure holding a caduceus, a symbol of the medical community dating back the sixteenth century. Thus, it is safe to say that this could have been produced no earlier than the last quarter of the eighteenth century. In addition, this box...

Set of Four Hammered and Silvered Bronze Arts and Crafts Candlesticks, Early 20th Century, Unmarked. 13" high.

Extremely Rare Chippendale Wine Table in mahogany having an octagonal top with low gallery above a vasiform carved and turned pillar and supported by three downswept legs. English, circa 1750

Many of the tables of this form described as "wine tables" are taller and are actually candlestands. This is a true wine table, which would have been placed next to the host's chair after dessert was served and the servants withdrew so there could be private conversation.

22" high x 20" spread ...

Coastal View of a City

by Julius Montalant , American. (1823-1878)

Oil on Canvas, signed.

Ptg.: 11" x 18"
Frame: 18" x 25"

Born in Virginia, probably Norfolk, Julius Montalant is known for his drawings and paintings inspired by his travels on board navy ships. Attached to the USS St. Louis around 1844-45, he sketched ports of call he visited, including Brazil, Chile, New Zealand, Australia, and China.  Many of his works are held in the Museum of the U.S. Naval A...

Large Antique Chinese Black Lacquer Tea Caddy, rectangular with hinged lid opening to an engraved pewter (pac-tung) liner ; the whole decorated with figures in gardens and with brass carrying handles.

Circa 1860. 13.5" x 11" x 8.5" tall (minor losses, filled crack in lid)

James Francis O’Brien (American, 1917-1996)

Excavation Site, 16th & I Streets

Oil on canvas, located, inscribed and dated: “1958” on the reverse.

Painting size: 24” x 18”
Frame size: 29” x 23”

** Please Note - This painting came directly from the Estate of Mr. O’Brien. For other examples, type “O’Brien” into the search box.

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artist...

J. Murday (British fl 1837-1911)

A Tri-aspect of a Topsail Trading Schooner off South Foreland (Cliffs of Dover)

Oil-on-canvas; verso label: Wm. Blair, Ltd, Bethesda, Maryland

Painting: 24” x 36”
Frame: 29 ¼” x 40 ¼”

Murday was an accomplished painter of ship portraits and shipping scenes whose works were often signed and dated in the second half of the 19th century. Regrettably, there is little biographical information available on th...

Most likely French, 19th century. A nineteenth-imitation of the extremely popular souvenir boxes made in Bilston at the end of the eighteenth century (see 5218-18). However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, and the inferior quality of the painting identify this box as a nineteenth-century creation. It’s also important to note that the use of the French on the lid is not indicative of its origin, but rather another attempt at eight...

French School, Late 19th/early 20th Century

Young Girl with Paper Dolls

Oil-on-canvas, Unsigned

Oval: 19” x 14 ¼”
Frame: 25 ½” x 20 ¾”

This charming study of a young girl intent on cutting out paper dolls is reminiscent of works by Berthe Morisot, Mary Cassatt and Pierre-Auguste Renoir (his earlier works). She is beautifully captured with her rosebud lips, her hair tied up in a bow, a lacy pinafore over her navy dress and stockinged legs ...

Exceptional Sheraton Tea Chest in satinwood banded in rosewood and with ebony and boxwood stringing: having a rectangular hinged lid with silverplated pull opening to an interior with two fitted tea caddies with oval lids and similar inlaid decoration. English, circa 1790.

8" x 6" x 6" tall

Alethea Hill Platt (American, 1861-1932)

Devonshire Cottage by Moonlight

Oil-on-canvas, signed lower left

Painting: 25” x 30”
Frame: 29” x 33 ¾”

Platt was active in New York State and Connecticut. She is known for her landscapes, portraits and interiors. She studied at the Art Students’ League (NYC) and Delecluse Academy, Paris. Platt also studied with Ben Foster and Henry B. Snell. She exhibited at the Pennsylvania Academy of Fine Art (1900-19...