$14,500.00
The London to Oxford Coaches at Mile Marker 24
Oil-on-canvas, signed lower right
Painting: 17” x 32”
Frame: 23 ½” x 38 1/4”
Pollard was an engraver and sporting artist noted for his coaching, fox hunting and equine scenes. As the son of Robert Pollard, a painter, engraver and publisher, James was encouraged to become a painter of horses...
$8,500.00
Resting Deer in a Forest Landscape
Oil on canvas
Provenance: Thomas McLean Gallery, London (retaining the original label on the back).
Painting: 20.75" x 36"
Frame: 30" x 45"
Redgrave was a genre and landscape painter. For a time he worked with his father who was an engraver before entering the Royal Academy in 1825...
$2,850.00
Oil on canvas, 19th century Signed indistinctly lower right "Wm Mc *****" and dated
Painting: 21" x 28.5"
Frame: 27" x 34.25"
Ship portraits, such as this, were commissioned by the new owner often time itinerant artists who traveled around different boat builders looking for work...
Portrait of a Woman in Lace Cap
Oil on panel.
Provenance: J. Davey & Sons, Manchester, England
Painting size: 8.5” x 7”
Frame size: 11.5” x 10”
$850.00
Stepping Stones
Oil on canvas, signed
Painting size: 9” x 12”
Frame size: 13.5” x 16.5”
Maidment was a painter in oil of rural scenes and landscapes. He is variously catalogued as Robin or Robert Fenson but usually just signed “R. Fenson” in red, often with a date. This was a pseudonym for Henry Maidment who also was known to have signed “A. Wynn”...
$4,500.00
The London to Bath Coach Pulling up to the Spaniards Tavern, Bath, England in 1884
Oil on Canvas, signed, and dated l.r.
Painting: 14: x 26"
Frame: 20.5" x 32.5" (outer frame later)
A newly discovered gem from one of England's best coaching painters.
John Charles Maggs (1819–1896) was a painter best known for his coaching scenes. He was born in Bath, England in 1819, his father being a furniture japanner there...
$3,850.00
Farm by a Pond
Oil on canvas, signed lower right
Painting: 24" x 30"
Frame: 30" x 42"
Maidment was a painter in oil of rural scenes and landscapes. He also used the pseudonyms of "R. Fenson" and “A. Wynn”. Dated examples of his work have been seen spanning from 1898 until 1914...
$3,650.00
Two Views of the West of England
A pair of oils on canvas, retaining Frost and Reed Gallery labels.
Sight Size: 10.25" x 13"
Canvas Size: 12" x 14 1/2"
Frame Size: 17.5" x 20"
Born at Atherstone, Warwickshire, England on May 17th, 1815, Syer studied with J. Fisher, a miniaturist, and settled in Bristol. Syer was one of the prime favorites of the Victorian era...
$2,650.00
British School, Circa 1870
Charming Genre Scene showing a traveler beseiged by begging children. The Victorians loved this type of painting that "tells a story", Note how the little girl staring straight out pulls you into the picture
Ptg: 27" x 33"
Frame: 32.5" x 38.5"
$4,250.00
"Warmiing Up" Jockey Galloping a Horse with a Plaited Mane
Oil on Canvas , signed"WV"
Painting: 16" x 24"
Frame: 20.75" x 28.5"
$2,150.00
An Artist at Work
Oil-on-canvas, signed lower left and dated “1863”
Painting Size: 22.25” x 18”
Frame Size: 31.25 ” x 27.25”
This charming portrait of a young woman artist at work is a wonderful depiction of the painter and her tools. Her subject of a vase of flowers with fruit sits on a table to her right. The sturdy adjustable easel has a shelf where she has laid out her tubes of pigments...
“On the qui vive” (The Smuggler)
Oil on canvas , titled, signed and dated on the reverse
"QUI VIVE" (A French phrase meaning long live who? (a sentry’s challenge), used to mean a state of alertness or watchfulness.)
Painting: 30" x 25"
Frame: 36.5" x 31.5"
One of the best-known painters working in north-east England during the early nineteenth century Henry Perlee Parker specialized in pictures of marine subjects and smu...
$4,500.00
Caught Napping
Oil on canvas, signed and dated: “1867”
Painting size: 15.5” x 26.5”
Frame size: 22.5” x 33”
A student of Scots artist, Scott Lauder, John Burr studied at the Trustee’s Academy in Edinburgh. He moved to London in 1861 with his brother and fellow painter, Alexander Burr. Upon his arrival Burr began exhibiting at the Royal Academy. He continued to exhibit there until 1882...
$2,150.00
(British School, 19th Century)
Oil on canvas, Unsigned
Painting size: 30” x 20”
Frame size: 36.25” x 26.5”
This sweet genre painting of a shepherdess with her flock reflects the theme of the child-of-nature, a sensibility embraced by Victorians during the 19th century. The figure’s youth and comely face convey innocence, while her steadfast pose next to the goldenrod suggests that she is at ease in her environment.
$875.00
Woodland Fall Landscape
Oil on panel, signed in lower left corner, “JN White, R.I.”
Painting size: 6.75” x 10”
Frame size: 10.5” x 13.5”
Known for his rustic genre paintings and landscapes, White attended the Royal Scottish Academy. By 1877, he moved to Devon and exhibited regularly at the Royal Academy, the Society of British Artists, Suffolk Street and the New Watercolor Society...
$35,000.00
Beauty and the Beast
Oil on canvas, signed with monogram and titled on the reverse
Exhibited: The Royal Academy, 1899
Miss Suitcliff was a Hampstead painter of genre and portraits who exhibited at the royal academy from 1881-1899 and elsewhere.
Source:
Christopher Wood, The Dictionary of Victorian Painters
Painting Size: 16" x 20" Frame Size: 24" x 28"
$1,150.00
English School, 1834
Oil laid down to panel
"The Cardinal" was an Irish horse (owned by a Mr. Miles) who won The Chester Cup in 1834
Painting: 10" x 14.25"
Frame:16" x 20"
Oils on paper, unsigned.
Painting size: 3” x 4.5” (Approximately)
Frame size: 7” x 8.5” (Approximately)