$975.00
Attributed to C. & R, Light, circa 1880
Open: 23" x 24" x24" tall
Closed: 6.5" wide
Height: 9”
Width (at handles); 5”
$975.00
English,Circa 1800
13" x 6.5" x 7.5" tall
$1,650.00
Height; 6”;
Length: 10.25”;
Depth:5.75"
$2,650.00
Originally used in the dining room to hold wine brought up from the cellar for the meal, the tin liner would have protected the wood from the condensation from the bottles. Now often used as an occasional or end table.
Top: 19.25" x 19.25...
$2,650.00
Macbeth
Oil on artist board
Provenance: Sycamore Farm, Portsmouth, VA (Estate of Robert Vick and Charles Sibley)
Note: Listed in "The National Academy of Design Exhibition Record 1861-1900" page 249, number 482.
Painting Size: 6 ½” x 6 ½”
Frame Size: 10” x 10”
Born in Ireland, Duggan was brought to the United States as a young child, probably around 1810. He was a student at the National ...
$2,150.00
Autumn in the Blue Ridge Mountains (near Emmittsburg, PA[sic]) 1955
Oil on board, signed lower left and dated “1955”. Titled on the reverse
Painting Size: 15.5” x 19.5”
Frame Size: 23.5” x 27.5”
** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage
Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied...
$3,500.00
Circa 1840
Bagatelle was a billiards-derived indoor table game, the object of which was to get a number of balls past wooden pins into holes that are guarded by wooden pegs; penalties were incurred if the pegs are knocked over.
36" x 17.75" x 18.5" tall (closed)
On Hold
Nude
Conte crayon on paper, signed and dated: “1969” and titled, signed: “Richard Schmid, Gaylordsville, Conn” and stamped copyright “Richard Schmid 1969” on reverse of original backing paper.
Sight Size: 4.75” x 9.5”
Sheet Size: 7.5” x 14.75”
Frame Size: 13.5" x 18"
Schmid received his artistic training from William H. Mosby at the American Academy of Art in Chicago. He has participated in many g...
$2,650.00
The Inauguration Steps, 1912
Lithograph on ivory laid paper
17 x 22 (image); 19 x 24.5 (sheet); 17.75" x 22.25" (sight); 24" x 30" (frame)
Wuerth 265
Washington D.C. series. Edition of 25. Signed on stone and in pencil and inscribed: " #2 The Inauguration Portico"
This is from a series of six lithographs made for the Century Magazine entitled "The Capitol at Washington” and described as the "East Front of the Capitol" ...
$375.00
by Jack Coughlin
Aquarius Press, Baltimore, Maryland, U.S.A.- First Edition
A fine group of etchings by Couglin on the theme "Of Sundry Copulations Whereby A Man Genders With Sundry Kinds Of Beasts". This is number 63 of 140 numbered copies signed by the artist. Each etching measures 4 1/4" by 3". All are fine impressions, protected by silk paper. There are twently plates in all, each hand-printed by Atelier LeBlanc in Paris. The book is in fine condition and is laid into a ...
$4,650.00
Circa 1790
Provenance: From the Estate of Edward Bridgeforth, Winchester,VA
Most single compartment tea caddies were originally one of a pair; one for green tea and one for black tea. It is extremely rare for both to survive together.
6.25...
$950.00
Plate: 21.5 x 17.25"
Frame: 29" x 33"
**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it.
$675.00
7.5" x 5" x18.75 "tall
$3,850.00
Aimé Barraud (Swiss 1902-1954)
Trompe L’oeil of Grapes
Oil-on-canvas, signed lower left
Painting: 18” x 13”
Frame: 22 ½” x 17 ¼”
Barraud was a painter of still lifes, flowers, portraits and landscapes. Charles, Aurèle, François and Aimé were four brothers who were artists, sons of an engraver of watchplates. In 1928 and 1929 Aimé exhibited two paintings at the Salon des Indépendants (Paris). Barraud was also an associate at the Soci...
$6,500.00
Lake Scene in Western Maryland
Oil-on-canvas, signed lower right and dated “1861”
Painting Size: 8 ½”” x 16”
Frame Size: 12.5” x 20”
Thompson was a landscape, historical and portrait painter, born in Baltimore where he studied law with his father. In 1859 Thompson decided to become and artist and opened a studio in Baltimore. During the first year of the Civil War (1860) he worked as a combat artis...