Catalog (397)

Classic Antique English Child's Windsor Armchair in various woods with a hooped back, shaped seat and turned legs joined by an 'H' stretcher. Circa 1870.

Seat height: 12"
Back height : 28.75"

Most likely French, 19th century. The image of an Englishman hunting with a hound was a common image on enamel boxes, especially snuff boxes in the eighteenth century. However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the completely hand painted nature of the lid identify this box as a nineteenth-century creation.

Damage to hinge. Lid does not close entirely. Loss to underside enamel.

Impressive large-scale Black Forest carved armchair in walnut with all over carved decoration of bark, branches, leaves and berries. Swiss. Circa 1870-1880. * Provenance: Anniee McCarthy, Newport, RI and NYC (label). Minor loss to tips of leaves on crestrail, caned seat was once over upholstered.

*See “History of Black Forest Furniture”

Height: 39.5”
Width: 25”
Depth: 24”

Fine Late Regency Papier-Mâché Tray having a shaped gallery with gilt stencil decoration and inlaid with mother of pearl. English, circa 1835, mounted on a later bamboo form ebonized stand.

Height: 23.25 ” Length: 29.5” Width: 21.5”

Jacob Glushakow (American, 1914-2000)

Barn in Maryland

Oil on masonite, signed lower right.

Painting size: 16” x 20”
Frame size: 20.5” x 24.5”

From his exceedingly humble start, Glushakow grew to become one of Baltimore's favorite sons. He was born aboard ship to Russian Jewish parents immigrating to the United States in the wake of WWI. The Glushakow family settled in Baltimore and soon became a part of its Jewish community.

From an early ...

Antique English Bagatelle Box in Mahogany with original wooden insert and later ball and cues, now mounted on a metal stand.

Circa 1840

Bagatelle was a billiards-derived indoor table game, the object of which was to get a number of balls past wooden pins into holes that are guarded by wooden pegs; penalties were incurred if the pegs are knocked over.

36" x 17.75" x 18.5" tall (closed)

Morpheus

By Lisa Scheer

Brushed Copper with brown patina

signed: "L.. Scheer" and numbered: "2/4" and titled.

h: 14.25" x l: 35"x d :17"

Lisa Scheer is a sculptor from Washington, D.C and a professor at St. Mary's College of Maryland. Scheer has her BA from Bennington College and an MFA in sculpture from Yale University. She has exhibited her sculpture widely including one-person exhibitions at the Baltimore Museum of Art, the Phillips Collection, the American Institute...

George Sanders Bickerstaff (Am., 1893-1954)

Purple Canyon

Oil on canvas, signed lower right and retaining a fine carved gilt wood frame.

Painting:25" x 30",
Frame 33.5" x 39"

Bickerstaff, a landscape painter born in Arkansas, was primarily self-taught except for a brief period at the Art Institute of Chicago. His early years were spent in southern California before moving to Ukiah in the northern part of the state where he remained for the rest of his life....

Arthur Heyer (German/Hungarian, 1872-1931)

White Cat in the Tall Grass

Oil on canvas, signed lower right

Painting Size: 16” x 20” Frame Size: 22.5 “ x 26.5” 11117 Heyer was born in Haarhausen, Germany and studied at the College of Applied Arts in Berlin. In 1896 he moved to the village of Rakospalota near Budapest where he lived until his death. He began his career painting landscapes but soon began depicting animals and had a particular fondness for cats ...

Most likely French, 19th century. The image of an Englishman hunting with a hound was a common image on enamel boxes, especially snuff boxes of the eighteenth century. However, this box clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the completely hand painted nature of the lid identify this box as a nineteenth century creation.

Very good condition. Small scratch to lid.

Richard Alan Schmid (American, b.1934)

Nude

Conte crayon on paper, signed and dated: “1969” and titled, signed: “Richard Schmid, Gaylordsville, Conn” and stamped copyright “Richard Schmid 1969” on reverse of original backing paper.

Sight Size: 4.75” x 9.5”
Sheet Size: 7.5” x 14.75”
Frame Size: 13.5" x 18"

Schmid received his artistic training from William H. Mosby at the American Academy of Art in Chicago. He has participated in many g...

J.H. Van Deventer (American, 19th Century)

Sleeping Puppies

Oil on artist board, signed lower right and dated: “N.Y. - Oct. 1878”

Provenance: Schwartz Gallery, Philadelphia, PA.

Painting Size: 9” x 12”
Frame Size: 13” x 16”

Most likely French, 19th century. A nineteenth-imitation of the extremely popular souvenir boxes made in Bilston at the end of the eighteenth century (see 5218-18). However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, and the inferior quality of the painting identify this box as a nineteenth-century creation. It’s also important to note that the use of the French on the lid is not indicative of its origin, but rather another attempt at eight...

Adrian Wiszniewski (Scottish b. 1958)

Byron and Annabella

Oil on canvas, titled on front and signed on reverse

Painting: 10" x 12"
Frame 17" x 19"

Adrian Wiszniewski was born in Glasgow in 1958. He was educated at the Mackintosh School of Architecture and then the Glasgow School of Art from 1979 to 1983. He was influenced by New Image painting in the early 1980s, combining figurative art with social commentary. And he belonged to a group known as the New Glasgow ...

Gold Presentation Walking Stick with touchmark “TD&V” and inscribed : “Presented to, Mayor Reno, by Members of City Council, Mch 15, ‘97” and with an ebonized wood shaft. Length:32.75"

In three volumes with original slipcase and with tipped in reproductions of all the drawings in the correspondence. Published by New York Graphic Society, 1959, Second Edition. Books VG +, slipcase VG.

Charming Portrait of a Horse, his Trainer and Jockey

English School, 1834

Oil laid down to panel

"The Cardinal" was an Irish horse (owned by a Mr. Miles) who won The Chester Cup in 1834

Painting: 10" x 14.25"
Frame:16" x 20"

Alethea Hill Platt (American, 1861-1932)

Devonshire Cottage by Moonlight

Oil-on-canvas, signed lower left

Painting: 25” x 30”
Frame: 29” x 33 ¾”

Platt was active in New York State and Connecticut. She is known for her landscapes, portraits and interiors. She studied at the Art Students’ League (NYC) and Delecluse Academy, Paris. Platt also studied with Ben Foster and Henry B. Snell. She exhibited at the Pennsylvania Academy of Fine Art (1900-19...