Catalog (343)

5218-21: English, Bilston, late 18th century, patch box these memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, there decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This box reads "Unity is the bond of society."

Pair of Aynsley Fruit Decorated Covered Urns by Paul English, (former Royal Worcester artist); twin handled vases of shouldered baluster form with covers, decorated with original hand painted fruit designs, signed. {Modern}

Height: 9”
Width (at handles); 5”

Exceptional German Brass Mounted Kingwood and Coconut Wood Tea Chest by Abraham Roentgen (1711-1793) having a stepped lid surmounted by a brass carrying handle and opening to a divided interior with two lidded brass tea canisters and a lidded brass sugar canister with an unusual divided interior. The plinth base raised on brass ogee bracket feet has a concealed side drawer (for silver teaspoons). Circa 1755-1760.

9.35” x 5.75” x 6.5”

A similar box is in the collection of the Metrop...

Herbert Johnson Harvey (British, 1884-1928)

Confidences

Oil on panel, signed upper right and titled on frame. Provenance: Cotman Gallery, Birmingham.

Painting Size: 10.5” x 8.5”
Frame Size: 17.5” x 15.5”

Born the son of artist John Rabone Harvey, Herbert Johnson Harvey was a London based painter and etcher known for his portraits. He exhibited at the Royal Academy and the provinces.

Source:
Waters. Dictionary of British Artists Working 1...

Benson Bond Moore (American 1882-1974)

"Stream in Autumn, near Bethesda MD."

Oil on board, signed lower left and titled on the reverse

Painting: 12" x 16"
Frame: 17" x 20.75"

SAFA/10945 Provenance: The Estate of a Toms River Collector

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Weyl . He continued his studies in drawing at the Linthicum Ins...

Young Boy (perhaps a Putto) with a Branch and a Rattle

By Aguste Moreau (French, 1834-1917)

Base: 10" x 7"
Height: 23"

*Please note: This is an original antique bronze, not a modern re-strike, and is so guaranteed.

Auguste Moreau was born in Paris in 1834, the youngest son of sculptor and painter Jean-Baptiste Moreau. He studied with his father and also under Aimé Millet, Augustin Drumont and Jean Thomas. Each of the three Moreau brothers - Hippolyte, Marthurin and Au...

Aimé Barraud (Swiss 1902-1954)

Trompe L’oeil of Grapes

Oil-on-canvas, signed lower left

Painting: 18” x 13”
Frame: 22 ½” x 17 ¼”

Barraud was a painter of still lifes, flowers, portraits and landscapes. Charles, Aurèle, François and Aimé were four brothers who were artists, sons of an engraver of watchplates. In 1928 and 1929 Aimé exhibited two paintings at the Salon des Indépendants (Paris). Barraud was also an associate at the Soci...

Fine Antique French Inkwell or Standish in Ormolu; having a hinged lid and circular stepped body with applied cast floral decoration, and raised on three toupie feet. Circa 1850.

Diameter; 4.25" Height: 3.25" SAFA/9533

18th-century English Transferware Patch Box; Now known as Royal Leamington Spa, the town of Leamington began its prodigious spa industry in 1784 when it began building baths around its salt springs. Consequently, the image on this patch box displays a Classical figure holding a caduceus, a symbol of the medical community dating back the sixteenth century. Thus, it is safe to say that this could have been produced no earlier than the last quarter of the eighteenth century. In addition, this box...

Rare English Filigree Tea Caddy, rectangular with cut corners with mahogany bandings having satinwood and ebony stringing around glass panels enclosing rolled paper and crushed stone floral form decoration. The front panel has a silk and watercolor roundel of a girl with a basket. The hinged lid opens to a divided interior with penwork decorated lids. Circa 1790.

Also known as “quill work” or “rolled or scrolled paper” tea caddies, these undecorated boxes would have been purchas...

Antique Charles X Style Cut Crystal Box, oval with alternating rounded and facet cut decoration, and mounted with ormolu bands and escutcheon. Circa 1900, Probably French.

6.25" x 4.75" x 5" tall

Gian Simonetti (Italian, 19th Century)

Fishermen in the Venetian Lagoon at Daybreak

Oil-on-canvas, signed lower left

Painting: 16” x 20”
Frame: 22” x 26”

There is little biographical information on Simonetti, and it has been suggested that it is a pseudonym for Gian Gianni who was one of the last of the view painters of Italy. Gianni worked mostly in watercolor and produced views of Naples and Venice for people who were making the Grand Tour...

Antique English Regency Tea Caddy in lacewood, of rectangular form with cut corners, bone escutcheon and satinwood stringing.Circa 1825.

Height: 4.25”
Length: 7.25”
Depth: 4”

View of the Capitol at Washington in 1892

Studio Antiques has found the original engraved copper printing plate of the “Capitol at Washington” done by Max Franke in 1892. We are offering a limited edition re-strike engraving of this print, handpulled from the original plate by master printmaker Roger Bailey. It will be limited to a numbered edition of only 350 and will not be republished. Each print comes with a “Certificate of Authenticity”

Lost for over a century, the...

Small George III Writing Table in mahogany with a rectangular, hinged ratcheting top, two candle slides and a removable book rest on a turned, adjustable height pedestal base with tripod legs and slipper feet ending in brass castors. English, circa 1760

h:29 w:22 d:18.75 in.

Antique Hepplewhite Tea Caddy in mahogany with a fan inlay on the top and swag inlay on front.Having a hinged lid opening to two compartments for black and green tea, and raised on later ivory ball form feet.

English,Circa 1790

8" x 5" x 5.75" tall

Rookwood pottery rectangular dresser box with celedon glaze and lid with impressed flower decoration. Base and lid with impressed logo, dated 1948, pattern #6556. (Minor crazing to base.)

Length: 4.75”
Depth: 3.5”

Fine Large Pair of Regency Wood and Brass Candlesticks with fluted shafts and turned, circular bases. English, 1800-1820

Height: 21.5"