Catalog: Antiques (191)

Antique Bird's-Eye Maple Tea Caddy of sarcophagus form having a hinged, canted lid with line inlay, lions head brass carrying handles and pressed brass ball form feet. Probably American, circa 1820.

0.5" x 6" x 6.5" tall

Fine George II Silver Tea Caddy, by Samuel Taylor, having a reverse pear-form body embossed with floral garlands centering a blank cartouche on each side, removable lid with shell-form finial. Marked on underside of base.

Samuel was the son of Thomas Taylor and started his apprenticeship with John Newton in 1737. His first marks was entered in 1744...

Fine Large Pair of Regency Wood and Brass Candlesticks with fluted shafts and turned, circular bases. English, 1800-1820

Height: 21.5"

Antique Italian Carved and Gilt Wood Mirror having openwork foliate decoration. Minor distress to the Plate. Circa 1860

Mirror: 18 ½” x 14 ½”
Frame: 28” x23”

Carved Wooden Top Hat

(Early 20th C., some scratches

12.25” x 10” x 6.75” tall

Antique Victorian Brass and Oak Magazine Rack

English , circa 1880

14" x 5.5" x 13"tall

Antique Charles X Style Cut Crystal Box, oval with alternating rounded and facet cut decoration, and mounted with ormolu bands and escutcheon. Circa 1900, Probably French.

6.25" x 4.75" x 5" tall

Fine Filigree Work Tea Caddy, Hexagonal, with kingwood banding and with all panels and lid decorated with rolled paper floral designs with traces of color and gilding: the front panel incorporates a central print of a boy playing a flute...

5218-21: English, Bilston, late 18th century, patch box these memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, there decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This box reads "Unity is the bond of society."

Attributed to South Staffordshire, England, Possibly Bilston, late 18th century. The “gingham finish” was principally produced in this area. By placing a piece of cambric over solid ground color and then applying white enamel this finish was achieved. The three dimensional decoration was also found in the area. It was normally created by applying several layers of enamel. In addition, the unusual heart shape has been found in other Bilston boxes...

Rare 18th century fruit wood tea caddy in the form of a large apple, having a circular hinged lid with carved “stem” opening to a tin-lined interior; lock and escutcheon are original, hinge is replaced (repair to lid). Probably Continental, circa 1760-80.

Height: 4.5”
Diameter: 4.5”

Cartouche-shaped black marble plaque inset with oval micromosaic panels depicting Roman archaeological scenes (clockwise from upper left): the Coliseum, the Temple of Hercules, the Roman Forum and the Pantheon. Those four panels surround the Doves of Pliny, an image often used in micromosaics, which comes from a Roman floor mosaic at Hadrian’s villa in Tivoli and is believed to be a copy of a lost ancient Greek mosaic at Pergamon described by Pliny the elder...

Antique American Wooden Book Form Bank, with coin slot below and hinged cover above.

Circa 1860-80

6.25 x 4.5"x 2"deep

Pair of miniature three drawer chests, in mahogany, circa 1860, probably desk top boxes. Dimensions :12 "x 12"x 9"deep

Antique Gilt Silver and Green Chalcedony Mounted Crystal and Mahogany Umbrella Handle in the Secessionist taste. European, Circa 1900, now mounted on a carved wood base.

Height: 13"

Exceptional late Regency sarcophagus form box in well figured mahogany with recessed brass handles and brass ball feet. English, circa 1820.

Height: 10.5”
Width: 12.25”
Depth: 10”

Fine George III Oval Brass Bound Peat Bucket with oak staves and brass banding, liner and loop handle. English, Circa 1780.

10" x 13"

Fine Pair of Grand Tour Bronze and Ormolu Candlesticks in the Empire style with fluted baluster shaped shafts , with acanthus decoration on gilt-bronze sections and paw feet raised atop tripartite bases. These would have been brought home as a souvenir by someone who had made the Grand Tour. France or Italy, circa 1870.

h: 11 in.