Catalog: Antiques: Decorative Art (51)

Rare Chinese export carved wood tea caddy in the form of an eggplant with leaf form screw lid. Early 19th century.

Height: 4.5”

Antique English Silver Tea Caddy and Sugar Bowl in Shagreen Case by Samuel Taylor, London, 1758-59. The covered sugar bowl and tea canister were crafted by the prominent tea canister specialist and renowned Georgian silversmith Samuel Taylor. The box fittings are by another silversmith, probably J...

Fine Antique Grand Tour Souvenir Column, having a square marble base and turned marble shaft with laurel leaf decorated gilt metal base and a Corinthian capital. Circa 1830-50.

Height 14.25"
Base 4.5" x 4.5"
(once mounted as a whale oil-lamp, then electrified)

Antique English Polychrome Porcelain Tea Caddy with ribbed body and decoration with floral motif. Circa 1790. Provenance: From the Estate of Baroness Rengers, Alexandria, VA.

Humorous Staffordshire Pottery "Admiral Nelson" Pitcher moulded in the form of Lord Nelson (but missing the wrong arm) with a rather strategically placed spout, and a Rockingham mottled brown glaze. Probably English, circa 1850.

8" x 4" x 9.5" tall

Antique German blue and white porcelain ribbed tea caddy, late 18th/early 19th c. with a Hochst Porcelain mark on the base.

4.25” x 2.25” x 1.75”

Antique American Tea caddy in maple with pewter stringing and a pewter plaque with the word "tea", inside are two lidded compartments. Circa 1870.

Height: 3.75"
Length: 7.5"
Depth: 4.5"

Rare Antique Willow Pattern Cow Creamer and cover, painted earthenware. England, circa 1860

Length: 5"

Art Nouveau Vase by the Amphora Pottery, Turn Teplitz, Austria, decorated with moulded leaves with gilt stems, stamped base. Circa 1905-10, attributed to Paul Daschel.

Height 6.5"

Most likely French, 19th century. The image of an Englishman hunting with a hound was a common image on enamel boxes, especially snuff boxes in the eighteenth century. However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the completely hand painted nature of the lid identify this box as a nineteenth-century creation.

Damage to hinge. Lid does not close entirely. Loss to underside enamel.

Most likely French, 19th century. The image of an Englishman hunting with a hound was a common image on enamel boxes, especially snuff boxes of the eighteenth century. However, this box clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the completely hand painted nature of the lid identify this box as a nineteenth century creation.

Very good condition. Small scratch to lid.

English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day.

Allover cracking. Small losses to the lid, one side and the bottom...

Unusual metal mounted black glass dresser box with enameled decoration of flowers and a figure with bee. American, 1870-90.

Length: 4”
Width: 3”
Height: 5”

Pair of antique painted porcelain plaques of flowers, probably European, late 19th century, with gilt frames.

Plaque: 8 x 6”
Frame: 10 x 8.25”

Antique Masonic Gold Presentation Cane, inscribed “Presented to. Worshipful Bro. John Lee, member of Lg. No. 382, Dec. 22, 1876” with a Rosewood Shaft

Length 34"

On Monday January 3, 1752, the Dutch East India Company, (Verenigde Oost-Indische Compagnie, VOC) ship Geldermalsen, struck a reef on her return journey to the Netherlands and sank in the South China Sea...

Cartouche-shaped black marble plaque inset with oval micromosaic panels depicting Roman archaeological scenes (clockwise from upper left): the Coliseum, the Temple of Hercules, the Roman Forum and the Pantheon. Those four panels surround the Doves of Pliny, an image often used in micromosaics, which comes from a Roman floor mosaic at Hadrian’s villa in Tivoli and is believed to be a copy of a lost ancient Greek mosaic at Pergamon described by Pliny the elder...

Attributed to South Staffordshire, England, Possibly Bilston, late 18th century. The “gingham finish” was principally produced in this area. By placing a piece of cambric over solid ground color and then applying white enamel this finish was achieved. The three dimensional decoration was also found in the area. It was normally created by applying several layers of enamel. In addition, the unusual heart shape has been found in other Bilston boxes...