Catalog: Fine Art: Paintings (121)

Oval portrait miniature of a young woman; watercolor, signed indistinctly. She is wearing a lace and floral trimmed bonnet, braids coiled over her ears, pearls and a ruched off the shoulder rose dress, all typical of the 1840’s.

Frame: 5.5” x 4.75”

American School, Early 19th Century

Carib Indians Around a Jungle Campfire, with a Piton in the Background

Oil on canvas, signed indistinctly on the stretcher. Mid 19th century carved wood, compo and gilt frame

Painting Size: 9.25” x 12”
Frame Size: 13.5” x 16.5”

Frederick Smallfield, (English, 1825-1915)

Genoese Flower Girl

Watercolor on paper, signed and titled on the reverse.

Painting size: 16” x 10”
Frame size: 26.75” x 20.5”

Smallfield was a painter of genre scenes in oil and watercolour. He was a student at the Royal Academy Schools in the late 1840s with the members of the Pre-Raphaelite Brotherhood, but he was probably not close to them then, for he is not mentioned in their diaries...

English School (ca. 1850-1870)

Two Antique English miniature watercolors with printed borders.

Frame size: 7.5" x 8.5"

A By-path

Henry Hobart Nichols, Jr. (American, 1869-1962)

Watercolor on paper, signed and dated: “1897”.

Exhibited at the Third Annual Washington Water Color Club, 1898.

Illustrated in McMahan, The Artists of Washington, DC: 1796-1996, p. 158.

Provenance: from the Estate of Virgil McMahan.

A painter and illustrator, Nichols was a member of quite an artistic family...

John Syer, (British, 1815-1885)

Two Views of the West of England

A pair of oils on canvas, retaining Frost and Reed Gallery labels.

Sight Size: 10.25" x 13"
Canvas Size: 12" x 14 1/2"
Frame Size: 17.5" x 20"

Born at Atherstone, Warwickshire, England on May 17th, 1815, Syer studied with J. Fisher, a miniaturist, and settled in Bristol. Syer was one of the prime favorites of the Victorian era...

Henry Maidment (British, fl. 1889-1914)

Farm by a Pond

Oil on canvas, signed lower right

Painting: 24" x 30"
Frame: 30" x 42"

Maidment was a painter in oil of rural scenes and landscapes. He also used the pseudonyms of "R. Fenson" and “A. Wynn”. Dated examples of his work have been seen spanning from 1898 until 1914...

Henry Maidment signing as R. Fenson (British, fl. 1889-1914)

Stepping Stones

Oil on canvas, signed

Painting size: 9” x 12”
Frame size: 13.5” x 16.5”

Maidment was a painter in oil of rural scenes and landscapes. He is variously catalogued as Robin or Robert Fenson but usually just signed “R. Fenson” in red, often with a date. This was a pseudonym for Henry Maidment who also was known to have signed “A. Wynn”...

Richard Redgrave (British, 1804-1888)

Resting Deer in a Forest Landscape

Oil on canvas

Provenance: Thomas McLean Gallery, London (retaining the original label on the back).

Painting: 20.75" x 36"
Frame: 30" x 45"

Redgrave was a genre and landscape painter. For a time he worked with his father who was an engraver before entering the Royal Academy in 1825...

Charming Portrait of a Horse, his Trainer and Jockey

English School, 1834

Oil laid down to panel

"The Cardinal" was an Irish horse (owned by a Mr. Miles) who won The Chester Cup in 1834

Painting: 10" x 14.25"
Frame:16" x 20"

English School, early 19th century

Portrait of a Woman in Lace Cap

Oil on panel.

Provenance: J. Davey & Sons, Manchester, England

Painting size: 8.5” x 7”
Frame size: 11.5” x 10”

Three 18th-century English Landscapes

Oils on paper, unsigned.

Painting size: 3” x 4.5” (Approximately)
Frame size: 7” x 8.5” (Approximately)

Attributed to Pieter van Bloemen (Flemish, 1657-1720)

Military Encampment

Oil-on-canvas.

Painting size: 23” x 32”

Frame size: 31” x 40”

Born in Antwerp, van Bloemen was the brother of Jan-Frans and Norbert van Bloemen. His master was the battle painter, Simon van Douw. In 1673 van Bloemen was a master in Antwerp, but he did not stay there long. He is believed to have spent 20 years in Rome and it is known that he was working there in 1688...