Catalog: Antiques: Decorative Art (51)

Unusual Rookwood matt-glazes tazza, with impressed mark and date - 1906 (?).

Height: 2.35”
Diameter: 4.5”

Charming Rockingham Ware pitcher in the form of a seated dog. American, circa 1860-80.

Provenance: Eveleth/ Summerford Estate, Washington, D.C.

Height: 8.75”

See: Collectors Guide to Yellow Ware, Book III by Lisa McAllister, page 103 for another example of this pitcher.

Rare Rockingham hound handled pitcher with molded scenes of stag and boar hunts and a grapevine design decorating the neck. Attributed to the Salamander Works, Woodbridge, New Jersey, 1840-50...

Rare antique Chinese Famille Rose covered mustard pot and under tray with typical painted decoration and applied bud form knob. Circa 1860 (minor wear to gilt decoration).**

Height: 3.75”
Dish Diameter: 5.5”

**See: Schiffer, Chinese Export Porcelain, illustration #404 for similar example.

Rare Staffordshire child’s mug, creamware with green transfer decoration of sign language alphabet. Early 1800’s (small hole in bottom).

Diameter: 2.75”

Rare Chinese export carved wood tea caddy in the form of an eggplant with leaf form screw lid. Early 19th century.

Height: 4.5”

Pair of antique painted porcelain plaques of flowers, probably European, late 19th century, with gilt frames.

Plaque: 8 x 6”
Frame: 10 x 8.25”

Unusual metal mounted black glass dresser box with enameled decoration of flowers and a figure with bee. American, 1870-90.

Length: 4”
Width: 3”
Height: 5”

Antique Handmade American Ship Model in a wood and glass case.
Circa 1900.

Length: 19”
Height: 14”
Depth: 7”

Fine George II Silver Tea Caddy, by Samuel Taylor, having a reverse pear-form body embossed with floral garlands centering a blank cartouche on each side, removable lid with shell-form finial. Marked on underside of base.

Samuel was the son of Thomas Taylor and started his apprenticeship with John Newton in 1737. His first marks was entered in 1744...

Most likely French, 19th century. The image of an Englishman hunting with a hound was a common image on enamel boxes, especially snuff boxes of the eighteenth century. However, this box clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the completely hand painted nature of the lid identify this box as a nineteenth century creation.

Very good condition. Small scratch to lid.

Most likely French, 19th century. The image of an Englishman hunting with a hound was a common image on enamel boxes, especially snuff boxes in the eighteenth century. However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the completely hand painted nature of the lid identify this box as a nineteenth-century creation.

Damage to hinge. Lid does not close entirely. Loss to underside enamel.

French, 19th century, Samson. The crossed “S” marks on the interior lid of this nineteenth-century snuff box indicates that this was, in fact, a product of the Samson factory. Edmé Samson founded the House of Samson in 1845 to decorate porcelain. However, it was Edmé’s son, Emile, who expanded the firm to include the reproduction of eighteenth-century English enamels...

English, Bilston, late 18th century, patch box,

These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, the decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This one reads "The Absent Not Forgotten."

Source:
Susan Benjamin...

5218-21: English, Bilston, late 18th century, patch box these memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, there decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This box reads "Unity is the bond of society."

English, most likely Bilston, eighteenth century. The elongated oval shape, all over floral decoration, and the unusual brown painted panels are not infrequent characteristics of Bilston’s “gingham finish” enamel boxes, hence the Bilston attribution.

Fine cracks to enamel, and small losses on both sides and back.

Source:

Susan Benjamin. English Enamel Boxes. (1976.)

Most likely French, 19th century, snuff/pill box, However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the loose hand-painted nature of the lid identify this box as a nineteenth century creation.

Very good condition. Some loss to interior enamel and on the underside.

Antique English small barrel in lignum vitae with ivory stopper and later brass spout. Early-mid 19th century.

Length: 9"